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Canku Ota |
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(Many Paths) |
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An Online Newsletter Celebrating Native America |
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September 21, 2002 - Issue 70 |
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Skins - The Movie |
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by Vicki Lockard: Editor's
Note: Paul and I were honored with the opportunity to screen "Skins"
and to interview Chris Eyre. Thank you Chris, Hugh Wronski, of the Landmark
Theater Corp., and Gayle, of Earth
Circles.
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credits: First Look
Pictures (C) 2002 Skins, the
Movie
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Filmed on location at the Pine Ridge Reservation, "Skins" tells the story of Rudy Yellow Lodge (Eric Schweig), a reservation cop whose job includes regular encounters with his unruly but endearing brother Mogie (Graham Greene). Haunted by memories of Vietnam, the alcoholic Mogie is a source of constant challenge for Rudy, while Rudy also finds himself stepping outside the law in his determination to ensure justice on the reservation. The tragedy that unfolds leads Mogie and Rudy into deep and dark waters, where they are finally able to start healing their relationship, and the legacy of their pasts. Speaking to us, in Minneapolis, director and co-producer Chris Eyre shared some of his insight into the movie and it's importance. "People say that its a very powerful movie and its strength is that its universal," says Chris Eyre, who directed and co-produced "Skins" and has been presenting the film at festivals in Europe and the U.S. "Ultimately it transcends the racial sensibilities that "Skins" has and just becomes a movie about universal truths and redemption for the characters. The reception has been overwhelming and positive. Thats a testament to the fact that people are ready for Native American cinema." "Mogie is everywhere, he's like Elvis." said Eyre. We all know a Mogie and his character goes beyond racial lines. Another key character in the movies is Herbie, played by Noah Watts. Herbie is Mogie's son and in many ways, is more the father, than the son. But, no matter how hard Herbie's life has been, the love he has for Mogie shines through. Watts says, "I didn't grow up on a reservation, so I can't say I speak for that experience, but I visit family on the Crow reservation every year, and have seen that life as an observer. Maybe this will open people's eyes to some of the hardships of the reservation, and to some of the beauty." Watts' affinity for Herbie is much more elemental. "Herbie has had a lot happen to him at an early age. He's a coming-of-age character, striving through his father's alcoholism. I've gone through some of the same losses, so I feel pretty close to him." Eyre was attracted to making the screen version
of Adrian C. Louis 1995 novel because of its honesty and what
he calls 'a sense of itself.' Eyre is taking "Skins" on the road in a groundbreaking "Rolling Rez" tour, offering free screenings to Indian communities before the films theatrical release. He is personally presenting the "Skins" screenings in an innovative mobile cinema that seats 100 in indoor comfort, with high quality projection and sound systems, not to forget a snack concession and restrooms, all offered at no cost. First Look Cinema funded the entire tour. "The "Rolling Rez" tour was born because theres no movie theatre in the town of Pine Ridge, and I knew I had to screen "Skins" for the community where it was made. So we began to look for ways to bring the movie to the people and came across this mobile cinema. From there we decided to take it to other reservations and urban Indian communities," said Eyre. "Skins" is a must see movie. While much of the humor may escape mainstream audiences, the universal messages, in this film, will speak to all of us. Note: This film may not be appropriate for young audiences. To learn more about "Skins" and to find out which theaters will be showing it, visit: |
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Canku Ota is a free Newsletter celebrating Native America, its traditions and accomplishments . We do not provide subscriber or visitor names to anyone. Some articles presented in Canku Ota may contain copyright material. We have received appropriate permissions for republishing any articles. Material appearing here is distributed without profit or monetary gain to those who have expressed an interest. This is in accordance with Title 17 U.S.C. section 107. | ||
Canku Ota is a copyright © 2000, 2001, 2002 of Vicki Lockard and Paul Barry. |
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The "Canku Ota - A Newsletter Celebrating Native America" web site and its design is the |
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Copyright © 1999, 2000, 2001, 2002 of Paul C. Barry. |
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