This is a historic
and long overdue decision.
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A
shield by Joseph No Two Horns (He Nupa Wanica) (18521942)
ca. 1885 from Standing Rock Reservation, North Dakota. (promised
gift of Charles and Valerie Diker - photo by Dirk Bakker)
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The American
Wing of the storied Metropolitan
Museum of Art has long held a collection of typically American
artifacts: portraits of wigged colonial leaders, Tiffany chandeliers,
Frank Lloyd Wright chairs, silver owned by Paul Revere Jr., quilts
by unknown 19th-century makers.
Together they tell a specific, but noticeably incomplete, history
of the United States.
Beginning in the fall of 2018, however, the American Wing will
attempt to course correct by including a subgroup of art that has
been regrettably missing from the section: Native American art.
Thanks to a donation from collectors Charles and Valerie Diker,
a batch of 91 works of Native American art will be headed for the
American Wing, marking a historic change in the way art is curated
at New Yorks most famous museum.
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A
medicine vision by an unrecorded Arapaho artist attributed
to Henderson Ledger Artist A, also known as Horseback
(unknown dates) ca. 1880 in Oklahoma. (promised gift
of Charles and Valerie Diker - photo by Dirk Bakker)
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In the past, Native American art has been housed in The Mets
Arts
of Africa, Oceania and the Americas galleries, a section that
spans 3,000 years, three continents and several islands. According
to The New York Times, this was a bit confusing to international
patrons who were accustomed to seeing indigenous art displayed as
part of their own national narratives.
They go through [the American Wing] and expect to see
Native American work here, Met
curator Sylvia Yount explained. Because often where they
come from, indigenous art is part of the narrative of a nations
art, in a way that its not in the United States. Were
really behind the curve.
The Met characterizes its move to incorporate work from the
Dikers ? including bowls, dresses, drawings and bags created by
Washoe, Wasco, Arapaho and Anishinaabe artists ? into the American
Wing as a curatorial decision to display art from the first
Americans within its appropriate geographic context.
This transformative gift marks a turning point in the
narratives presented within the American Wing, Rebora Barratt,
deputy director for The Mets collections and administration,
wrote in a press release shared with The Huffington Post. With
the addition of these works, The Met will be able to offer a much
richer history of the art of North America, one that will include
critical perspectives on our past and represent diverse and enduring
native artistic traditions.
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A
basket bowl by Louisa Keyser, also known as Datsolalee (ca.
18291925), made in 1907 in Nevada. (promised gift of
Charles and Valerie Diker - photo by Dirk Bakker)
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Back in 2013, Katherine Abu Hadal made a strong case for why
the curation of Native American art matters. In a piece titled Why
Native American Art Doesnt Belong in the American Museum of
Natural History, she argued that work by Native American
artists deserves just as much respect as Greek and Roman artifacts.
When Native American, Pacific, and African art and artifact
is lumped in with natural history exhibits, it sends a message that
these groups are a part of the natural world,
she wrote. That the art they produce is somehow less cultured
and developed than the western art canon. It also sends the message
that they are historical, an element of the romantic past, when
in reality these peoples are alive and well, with many traditions
intact and new traditions happening all the time.
The Dikers themselves have been vocal advocates of curating
Native American art just as one would non-Native art. For their
exhibition First American Art: The Charles and Valerie Diker
Collection of American Indian Art, the Dikers asked National
Museum of the American Indian organizers to display their collection
as artistic
masterpieces, rather than as artifacts.
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A
dress and belt with an awl case by an unrecorded Wasco artist
ca. 1870 in Oregon or Washington State. (promised gift of
Charles and Valerie Diker - photo by Dirk Bakker)
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A
dress and belt with an awl case by an unrecorded Wasco artist ca.
1870 in Oregon or Washington State. (promised gift of Charles and
Valerie Diker - photo by Dirk Bakker)
Those eager to see The Mets change in curation will still
have to wait until the fall of 2018. (A press representative at
The Met declined to give any further information on the collections
timeline of display.)
You can see a preview of the works headed for the American Wing
here, courtesy of the museum. Heres to hoping that, ahead
of The Mets 150th anniversary in 2020, well see more
progressive moves toward making the historic institution a more
inclusive, accurate and representative place.
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A
shoulder bag made with porcupine quills by an unrecorded Anishinaabe
artist ca. 1820 in Ontario. (promised gift of Charles and
Valerie Diker - photo by Dirk Bakker)
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A
dance mask by an unrecorded Yupik artist ca. 1900 in
Alaska. (promised gift of Charles and Valerie Diker - photo
by Dirk Bakker)
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